The newest and youngest member of the group, Peep is “still finding her journey of what that means being a woman in this male-dominated space,” Cognata explained. “And how we live at these crossroads of different identities.” “The word of the day of every day is intersectionality,” Cognata said in an interview. “Why is it OK for him to say all this horrible stuff about women, but he can’t say something about justice?” Peep asks Verb in the play. Thanks to the presence of Peep, the play also brings up issues of sexism and misogyny in hip-hop. “There is no neutral, and it is our job - specifically white folks - to dismantle this white supremacist notion, system,” added Shawn LaCount, the play’s director and co-director of the hybrid production, who identifies as white. “We are in a moment in America where we cannot hide anymore,” noted “Hype Man” cinematographer and co-director John Oluwole ADEkoje during the midday conversation. But there is a line: It’s a very Black art form, but it is largely controlled by non-Black people.”Īs Pinnacle, Verb, and Peep discover, those lines cut across - and can sever - even old friendships. “Where you come from, about you and yours.
“Hip-hop is so much about representation,” he said. Goodwin recalled seeing rapper/producer David Banner at the 2014 BET Hip Hop Awards ask, “Where were all the white rappers standing when Mike Brown got gunned down?” The question had resonance for Goodwin, who professes a love of ’90s hip-hop. Although both of these earlier works are also set in the hip-hop world, in the wake of Trayvon Martin’s killing in 2012 “and so many others,” he said, other questions began to arise.
Speaking during an American Repertory Theater (A.R.T.) “Lunch Room” conversation on Tuesday, Goodwin talked about the genesis of “Hype Man,” the third of the “break beat” plays (following “How We Got On” and “The Realness”) that he’s been writing for the last 10 years. The dark irony, Goodwin explained, is that this piece had been in the works for years and was debuted by Company One in 2018.
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The work clearly feels of the moment, arriving amid the high-profile trial of former Minneapolis police officer Derek Chauvin, who is accused of murdering George Floyd in May of last year.
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When the three learn that a Black 17-year-old has been shot and killed, their friendship - and shared professional journey - is shaken. White rapper Pinnacle (Michael Knowlton) and his Black hype man (Kadahj Bennett) are readying for their debut television appearance when their MC, Peep One (Rachel Cognata), the newest member of the trio and a woman who identifies as mixed-race, bursts in with news of a police chase. The newly hybrid play-film, streaming as part of Virtually Oberon, follows three hip-hop artists as they wrestle with these questions from their rehearsal space to the stage and the streets and back again, against a backdrop of racist violence and inequality. Safe for color treated hair.ĭue to the nature of this item all sales are final.Who is responsible for speaking up about injustice? Does having a platform oblige an artist to take a stand? These are the questions posed by “ Hype Man” by Elliott Norton Award-winning playwright and poet Idris Goodwin. For dry hair, lightly mist to add shine and reduce flyaways. Spray evenly on damp hair before combing through. In addition to being a time release, anti humidity formula, this powerhouse is packed with vitamins generated to:Ĭreate a Barrier to Protect Against Chlorine, Sun Damage, and Other Environmental Stressors
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