The Count is extremely charismatic, instantly charming Albert and making a quickly making a star of himself in Parisian society. His naïve nature made it difficult for him to question the intentions of others, ultimately making him fall for traps set by those who would betray his trust.
Personality īefore his transformation, Edmond was merciful and kind towards other people, Baron Danglars being a prime example when he was caught embezzling. Underneath though, there are swirls of pale color- softer than the interior of his cloak, which reflects his desire for a simple evening of entertainment with his consort, Haydée, and maybe even a quiet, domestic life. The Count, all dressed to attend the opera, again displays his calm exterior with plain, black tuxedo. A man driven by nothing more than cruelest revenge on those who wronged him, the Count's costumes appear somber, but underneath reveal much about his character. Much of his torso has become see-through, especially around the area of his heart. But however, he is most commonly dressed in a black tuxedo, and his hands are sometimes covered by white gloves to hide his see-through, crystalline body parts.
In terms of clothing, each episode, the Count sometimes changes his outfits. It is also implied that demon and Edmond have separate consciousness that occasionally blend into one.
#The count of monte cristo characters skin#
His blue skin is a result of this, so that his body would not require air - a necessary part of their escape from Chateau D'If. The manga explains the Count's appearance, affirming that his body was reformed after his fusion with Gankutsuou. The Count's ears are also now pointy, along with his teeth. His eyes also changed during this transformation, how having red and yellow eyes respectively. When he was possessed by Gankutsuou however, his facial features which includes his goatee turned dark blue, his skin also became light blue. During his time in Chateau d'If, Edmond would eventually get a beard, which eventually turned into a goatee. This works wells, for the most part, but sometimes dialogue becomes a monologue, and that can become tedious to read.Edmond was formerly a tan man with a long, dark brown hair. This keeps the scene active and in front of the reader instead of a narrative summary. Instead of using a literary device like flashbacks, Dumas insists on using dialogue to explain the backstory.
His history as a playwright is also evident in his use of dialogue. To that end, Dumas frequently collaborated with others to create realistic characters throughout the social strata of 19th century France. In The Count of Monte Cristo, there are innkeepers, government officials, political leaders, sailors, smugglers, priests, and nobles. Even within France, he does a great job of evoking a sense of place-Paris is different from Marseilles in the south. He vividly paints the differences between Italy and France. His travel writing is clearly evident in The Count of Monte Cristo's frequent country hopping.
Some of his most iconic characters-Dantes and D'Artagnan, are outsiders.Īs for his deliberate practice, Dumas was an accomplished playwright and travel writer before he turned to fiction. His status as an outsider might have influenced his writing. His father was a famous Haitian-born French general. Yes, Alexandre Dumas- creator of The Three Musketeers, The Count of Monte Cristo, and The Man in the Iron Mask-was of Afro-Caribbean descent. Some people may be surprised to see Alexandre Dumas on my list of books highlighting writers of color. How'd He Do That? Author Highlight: Alexandre Dumas He is also a hypocrite, nearly killing his illegitimate son to save face. He is duty-bound to uphold justice, but he is entirely self-serving, sending Dantes to prison to avoid any connection with a political coup. One of the primary villains of the novel is the public prosecutor named Villefort (see what Dumas did there, the vill-ain is called Ville-fort). This irony adds humor to the dark narrative and a feeling of second-hand excitement as Edmond changes his various personas to suit his plans. He interacts with friends and foes in these disguises, with only his former fiancé ever recognizing him. During the events of the novels, Edmond Dantes disguises himself as several people: a priest, an Englishman, and a sailor/smuggler.
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